The Ahhichatragarh Fort is medium sized, which have been built by Mughal Emperors Akbar and Shaha Jahan. A well planned Mughal Garden, which retains its pleasant appearance even today. The city has distinct Muslim influences and a Five Domed Mosque built by Emperor Akbar dominates the landscape. The city is best visited during the Ramdeoji Ka mela and Tejaji ka mela in February and August respectively.

Located 64 kms north of Udaipur in the wilderness, Kumbhalgarh is the second most important citadel after Chittorgarh in the Mewar region. Cradled in the Aravali Ranges the fort was built in the 15th century by Rana Kumbha. Because of its inacc essibility and hostile topography the fort had remained un-conquered. It also served the rulers of Mewar as a refuge in times of strife. The fort also served as refuge to the baby king Udai of Mewar. It is also of sentimental significance as it is the birthplace of Mewar's legendary King Maharana Partap. The fort is self-contained and has within its amalgam almost everything to withstand a long siege. The fort fell only once that too to the combined armies of Mughal and of Amber for scarcity of drinking water.

Once a year in winters and on the middle of the continually rising and falling stark yellow sands of the great Thar Desert, the empty sands around Jaisalmer come alive with the brilliant colour, music and laughter of the Desert Festival. The festival is organised by the tourist authorities as tourist entertainment around January-February. The very rich and colourful Rajasthani folk culture is on show here for a few days. Rajasthani men and tall beautiful women dressed in their brightly costumes dance and sing lingering ballads of valour, romance and tragedy. Traditional musicians attempt to outdo each other in their musical superiority.

This eight days fair held every year during the month of Jan-Feb, is popularly known as the Cattle fair and is the second largest in Rajasthan. Nagaur Town is the most picturesque of Rajput townships. Nagaur is a sea of animals, trading over 70,000 bullocks, camels and horses every year. The Pushkar Camel Fair is one of the largest in India and the only one of its kind in the entire world. During the fair, Lakhs of people from rural India flock to Pushkar, along with Camel and Cattle for several days of live stock trading, horse dealing, pilgrimage and religious festival. This small town, becomes a cultural phenomenon when colourfully dressed devotees, musicians, acrobats, folk dancers, traders, comedians, sadhus and tourists reach here during Pushkar fair. According to Hindu chronology, it takes place in the month of Kartika (October or November) beginning on ashtmi 8th day of Lunar Calendar and continues till full moon (Poornima). The Camel and Cattle trading is at its peak during the first half of festival period. During the later half, religious activities dominate the scenario. Devotees take dips in the holy A lively and colourful event, the Camel Festival is organised by the Department of Tourism, Art & Culture, Rajasthan in Bikaner every year. January is just the right month for a desert spree, and Bikaner just the right place to see the Ships of the Desert. In the camel country Bikaner, these desert leviathans pull heavy cart loads, transport grain and even work at the wells. The Camel Festival begins with a colourful procession of bedecked camels against the red sandstone backdrop of the Junagarh Fort, the festivity advances to the open sand-spreads of the grounds, followed by the best breed competition, the tug-of-war contest, camel dance and acrobatics, etc. The camels display amazing footwork, dancing gracefully to the slightest direction of their trainers. Bridal, bridles, bejewelled necks, jingling anklets and long, lanky camel shadows on dusky sands cast a magical spell. Hundreds of tourists and thousands of locals and dignitaries revel in this man-and-animal affair organised especially for the tourists.

Rajputs have been keen equestrian and they take to the horses like a fish to water. Their taking to polo in big way was only natural. Their association with polo dates back to the Mughal period and miniature paintings at the Mehrangarh Fort bear testimony to this early introduction to the game. However, Polo did not become a passion until the British period w hen it became a natural and a marvelous peacetime pursuit. It was in 1889, when the colourful Prime Minister of Jodhpur Sir Partap Singh invited the Bengal Lancers to raise the Jodhpur Lancers; Polo was introduced to Jodhpur in its current modern form. Three years later Jodhpur raised its Polo Team, which won many accolades home and abroad. In 1897, when Sir Pratap travelled to London for Queen Victoria's Diamond Jubilee, he took his polo team along, amongst the very first Indian teams to travel abroad, and, for that matter, foreign teams to invade England and create history

The people of Rajasthan have adopted different sporting events over the years, and these have provided a great deal of variety to their lives. Interestingly, there is an eclectic quality to these sporting events that can range from more sophistica ted sports such as golf to the well-known Rajasthani's passion for kite-flying. The passion for kite-flying in Jaipur is legendary, and every city has community clubs where the sport is ardently practiced. Every city skyline is alive with kites during the early morning and evening, and sometimes even during the day. Children gather at rooftops to compete about both their prowess as well as the resilience of their strings. Makar Sankranti on 14th of January is when the sport of kite flying is almost endemic, with an International Kite Flying Competition in Jaipur and Jodhpur, while the monsoon period is another favourite. However, but for a brief spell during the peak months of summer, kite flying continues throughout the year.

A magical sojourn reverberating with age old culture and traditions, the state enfolds in its lap a diverse kaleidoscope of breathtakingly beautiful and fascinating art-de-facts. The range is unparalleled even while it is sophisticated in its simplicity. It has something for almost every kind of traveler, revealing a vast range of arts and crafts, which is a treat for the visuals and are ready to be picked. The Bazaars spill with products and there is a magnificent glow of colours all over. Intricate work carved on handicrafts or the wonders of gems and stones, it has

A magical sojourn reverberating with age old culture and traditions, the state enfolds in its lap a diverse kaleidoscope of breathtakingly beautiful and fascinating art-de-facts. The range is unparalleled even while it is sophisticated in its simplicityIt has something for almost every kind of traveler, revealing a vast range of arts and crafts, which is a treat for the visuals and are ready to be picked. The Bazaars spill with products and there is a magnificent glow of colours all over. Intricate work carved on handicrafts or the wonders of gems and stones, it has it all and even more like the colours dancing on the textiles and fabrics with silver or gold threads settings and complimented with the variety of Silk-threads, Beads, Gota, Zari, Zardosi, Banarasi, etc. designed by the age old families of skilled artisans

This is the most visible and widely prevalent type of painting, colourful pictures painted in glowing mineral and vegetable colours on hand-made papers. The miniature painter did not lack patronage. Seven styles in different kingdoms developed rapidly (the technique was similar to wall paintings, cloth and manuscripts illustrations) used initially manuscripts for text illustrations, they gradually evolved as portfolios of the life and times of their Royal patrons. The miniature tradition goes back at least to the 11th century. Later the Mughal influence though their style was of Mughal court style, yet the painters by the 17th century settled for traditional idioms and regional elements. And the modern miniature painting speaks of those age-old traditions of Rajasthan.

Some of the finest metal work in Rajasthan uses enamelled silver that is used for everything from pill-boxes to figurines. Brass enamel is less expensive, and more prevalent fr om table-tops to dancing peacocks, caparisoned elephants, dancing camels, swords and shields .In recent years, wrought iron has become popular, though this is more contemporary in its usage, than traditional

An art form, from Persia under the patronage of Maharaja Ram singhji was first introduced in Rajasthan. A new art form with a fascinating recipe of distinctive material like the ground quartz stone. The colour schemes are also peculiar like, blue (oxide of cobalt), Green (oxide of copper) and the external white.
Some of the pottery is semi- translucent and lately is been experimented with other colours such as , yellow, dark blue and brown. The conventional floral or arabesque, hand made patterns and the animal figure patterns are the prominent designs. The various articles shaped out are mostly the traditional ones like surahis or pots of different shapes and size for multiple use, ashtray, tiles, flower pots, lamp shades, jars various accessories or interior items are the forte of this art of pottery.

The dhurrie, a simple rug that was once used as an underlay, has now become one of the state's best known weaving traditions. Weavers sit on looms in villages, creating an interesting blend of patterns- mostly geometric, sometimes floral- in an exciting combination of colours. Made from cotton yarn, in areas such as Bikaner and Jaisalm er, the camel-hair, woolen dhurrie too is available. In areas around Tonk, namdahs or felted rugs are manufactured. Carpets first began to be manufactured in Rajasthan when weavers from Afghanistan were installed in the royal ateliers in the 17th century. Ever since, they have flourished here, with their exuberant colours and geometric motifs finding their way into showrooms around the world. Naturally they are available in the bazaars at a price far lower than they command in stores overseas